| Painting in theory
|
1998 |
Harris, Jonathan |
| The Jersey Homesteads mural : Ben Shahn, Bernarda Bryson, and history painting in the 1930s
|
1995 |
Platt, Susan Noyes |
| Hidden histories : the Chicano experience
|
1995 |
Goldman, Shifra M. |
| Abstract expressionism as historical myth
|
1995 |
Polcari, Stephen |
| "Harvesting" the civil war : art in wartime New York
|
1995 |
Giese, Lucretia Hoover |
| Negotiating nationalism, representing region : art, history, and ideology at the Minnesota and Texas Capitols
|
1995 |
Cutrer, Emily Fourmy |
| History painting at the American Academy of the Fine Arts
|
1995 |
Barratt, Carrie Rebora |
| May Stevens : painting history as lived feminist experience
|
1995 |
Hills, Patricia |
| The hoop of history : native American murals and the historical present
|
1995 |
O'Connor, Francis Valentine |
| Democracy, regionalism, and the saga of Major André
|
1995 |
Abrams, Ann Uhry |
| Installing history
|
1995 |
Corrin, Lisa G. |
| History as ideology or, "what you don't see can't hurt you, Mr. Bingham"
|
1995 |
Wolf, Bryan J. |
| John Trumbull, historian : the case of the Battle of Bunker's Hill
|
1995 |
Burnham, Patricia Mullan |
| "A stirring and crawling of the yeasty thing" : evolution and misogyny in the art of Frederic Remington
|
1995 |
Nemerov, Alexander |
| Washington Allston : great painting as mute poetry
|
1995 |
Strazdes, Diana |
| History in natural sequence : the civil war polyptych of Frederic Edwin Church
|
1995 |
Kinsey, Joni |
| "... one of the most powerful, horrible, and yet fascinating pictures ..." : Thomas Eakins's The Gross Clinic as history painting
|
1995 |
Rosenberg, Eric M. |
| Revival, reflection, and parody : history painting in the postmodern era
|
1995 |
Thistlethwaite, Mark |
| Imperiled ideals : British historical heroines in antebellum American history painting
|
1995 |
Greenhouse, Wendy |
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