The claiming crown : politics, dynasty, and gender in State portraits of Medici women
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2010 |
Holian, Heather L. Sale |
Allegorizing choice : the Apollo flaying Marsyas myth in a religious context
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2010 |
Unger, Daniel M. |
Optical illusions and verbal emblems in Sir Philip Sidney's Astrophil and Stella and Arcadia
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2010 |
Arnaudo, Marco |
Architecture and money : Palladio's earnings and social status
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2008 |
Cellauro, Louis |
Prefiguring Ripa : Vasari's virtues in the chamber of fortune
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2008 |
De Girolami Cheney, Liana |
An undiscovered Sienese Lauda, adoremus te, Christe, and the provenance of Domenico di Bartolo's Madonna of Humilty (1433)
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2008 |
Dickey, Timothy J. |
Alberti and Nicholas of Cusa : perspective as "coincidence of opposites"
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2007 |
Carman, Charles H. |
Giotto, The Arena chapel, and that obscure object of desire : the South-Central Renaissance conference, William B. Hunter lecture, 2005
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2006 |
Ladis, Andrew |
The bizarre as burlesque in Giorgio Vasari's Vita of Piero di Cosimo
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2006 |
Goodchild, Karen Hope |
Michelangelo, Giotto, and murder
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2006 |
Land, Norman E. |
Andrew Ladis
|
2006 |
Cole, Bruce M. |
Marriage practices in early modern Rome : the case of Giovanni Francesco Sacchetti and Beatrice Tassoni Estense
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2005 |
Zirpolo, Lilian H. |
Patronage, print, and an early modern "pamphlet moment"
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2005 |
Kumaran, Arul |
Nessus's abduction of Deianira : a subject for all seasons
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2005 |
Even, Yael |
Michelangelo's shadow : Giuliano Bugiardini
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2005 |
Land, Norman E. |
Feminine and fashionable : regendering the iconologies of Mary Frith's "notorious reputation"
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2005 |
Bunker, Nancy Mohrlock |
"Rational" dogs and spiritual fools : the Renaissance iconography of "natural" reason vs. Divine Guidance in German artwork and English poetry
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2004 |
Baumlin, James S. |
The making of Cennino Cennini
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2004 |
Troncelliti, Latifah |
Vasari's early decorative cycles : the Venetian commissions : part II
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2003 |
De Girolami Cheney, Liana |
Performing the Renaissance : theatre as metaphor in art and society
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2002 |
Saslow, James M. |