| Pictorial descriptions of fictional worlds
|
2006 |
Roziḳ, Eliyahu |
| A message carved in stone : the triforium sculpture of Nevers cathedral
|
2006 |
Bloch, Monica |
| Le Jugement dernier de Notre-Dame d'Amiens à la lumière des Bibles moralisées
|
2006 |
Christe, Yves |
| An icon of the Crucifixion and the Nativity at Sinai : investigating its visual language
|
2006 |
Folda, Jaroslav |
| The femme fatale : Eve, Venus, Luxuria
|
2006 |
Pinson, Yona |
| Génériques : entre ecphrasis et mise-en-abyme
|
2006 |
Friedman, Régine-Mihal |
| Between painting and poetry, sacred and secular realms : a reading of the works of Yehuda Amichai and Michael Sgan-Cohen
|
2006 |
Gilʿat, Yaʿel |
| Grottesche (grotesques) : visual images as spatial metaphors
|
2006 |
Schechter, Madeleine |
| The ultimate other : Jews and the construction of images in later medieval art
|
2006 |
Schwartz, Ellen C. |
| Line and space as a new artistic language in modern sculpture
|
2006 |
Markus, Ruth |
| The transition from mimetic to non-mimetic music in the late sixteenth century
|
2006 |
Tanay, Dorit |
| The noble and the savage : reflections on a mosaic pavement in the Umayyad Palace at Khirbat al-Mafjar
|
2006 |
Taragan, Hana |
| New flowers in the art of the American "New woman"
|
2006 |
Tessler, Nira |
| Choir stalls and their carvers
|
2006 |
Erez, Ariela |
| Margin and metaphor
|
2006 |
Kessler, Herbert L. |
| Pasty faces : Franz Wickhoff, Erwin Panofsky and John Sloan in American art
|
2006 |
Fillin-Yeh, Susan |
| Les découvreurs de la colonne coudée
|
2006 |
Grabiner, Esther |
| The German in the Parler art : narratives of Southwestern German Gothic sculpture
|
2006 |
Pinkus, Assaf |
| Tracing shadows : reflections on the origin of painting
|
2006 |
Kenaan, Hagi |
| Reconsidering the sculptural program of Saint-Gilles-du-Gard : the role and meaning of its bases and socles
|
2006 |
Fishhof, Gil |
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