| Embodying oceanic relationality : an introspective of the 2022 Hawai'i Triennal
|
2023 |
Ku'uleinapuananioliko'awapuhimelemeleolani Furtado, Nicole |
| Risky business : Ivan Durrant versus the National Gallery of Victoria
|
2023 |
Marshall, Christopher R. |
| I am Gordon Bennett
|
2023 |
Butler, Rex |
| Dispersed subjects
|
2023 |
Nguyen, James |
| VNS matrix-pilled : three propositions for revisting 1990s cyberfeminist art now
|
2023 |
Hurst, Cameron |
| [Rezension von: Choreography, visual art and experimental composition 1950s -1970s / Erin Brannigan. - 2022]
|
2023 |
Best, Susan |
| Old/new: the anti-gatekeeping method
|
2023 |
Tello, Verónica |
| The rescue of William D'Oyly : colonial castaway encounters and the imperial gaze
|
2023 |
Chandler, Lisa |
| 'Ai Pōhaku, Stone Eaters : affirmation, defiance, and Kānaka 'Ōiwi visual culture today
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2023 |
Kahu'āina Borderick, Drew |
| The visiting curators
|
2023 |
Eshrāghi, Léuli |
| Personal tributes delivered at "Celebrating emeritus professor Virginia Spate AC FAHA, 1937-2002", University of Sydney, 10 November 2022
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2023 |
Ledbury, Mark |
| Queer curatorial relations : a dialogue on five recent projects
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2023 |
Barrett, Frances |
| [Rezension von: Iconomy : towards a political economy of images / Terry Smith. - 2022]
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2023 |
Fielke, Giles |
| A case study of the blind healer in early modern Europe
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2022 |
Stone, Kerrianne |
| [Rezension von: Daniel Thomas : recent past : writing Australian past / edited by Hannah Fink and Steven Miller, foreword by Michael Brand [und ein weiterer]. - 2020]
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2022 |
Bonyhady, Tim |
| [Rezension von: The Procaccini and the business of painting in early modern Milan / Angelo Lo Conte. - London ; New York : Routledge, Taylor & Francis Group, 2021. - (Visual culture in early modernity)]
|
2022 |
Albl, Stefan |
| Counting cahange and change that counts : gender equality in the National Gallery of Australia's "Know My Name": "Australian Women Artists 1900 to Now" : National Gallery of Australia, part one, 14 November 2020 - 9 May 2021 : part two, 12 June 2021 - 26 June 2022 : extended review
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2022 |
Shim, Soo-Min |
| Vile bodies in Guillaume de Deguileville's Pelèrinage de la vie humaine
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2022 |
Maddocks, Hilary |
| [Rezension von: Installation view : photography exhibitions in Australia (1848-2020) / Daniel Palmer & Martyn Jolly. - 2021]
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2022 |
De Lorenzo, Catherine |
| The Rhinoceros as "mid-wife" to divine wonderment" in Edward Topsell's The Histoire of Foure-footed Beastes
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2022 |
Killerby, Catherine Kovesi |
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