| Connoisseurships of Rembrandt's paintings
|
2006 |
Scallen, Catherine B. |
| Rembrandt's drawings of the elephant Hansken
|
2006 |
Roscam Abbing, Michiel |
| The "lijdingen des gemoeds' : towards an interpretation of Rembrandt's tronie prints as 'pictures-within-pictures' in still lifes by Sebastian Stoskopff and Johan de Cordua
|
2006 |
Gottwald, Franziska |
| Johannes Maccovius, Rembrandt's brother-in-law
|
2006 |
Broos, Ben |
| The Night watch : Captain Frans Banninck Cocq ; 'Pugno pro patria!'
|
2006 |
Colenbrander, Herman Th. |
| An Amsterdam windmill in Washington
|
2006 |
Bakker, Boudewijn |
| '... A coarse rugged way of painting ...' and other observations relating to Rembrandt's "Head of an old man" in a cap in Kingston
|
2006 |
De Witt, David A. |
| Training piece and sales product : on the functions of the tronie in Rembrandt's workshop
|
2006 |
Hirschfelder, Dagmar |
| The birth of Rembrandt
|
2006 |
Binstock, Benjamin |
| Rembrandt's Civilis : iconography, meaning and impact
|
2006 |
Coelen, Peter van der |
| The van Cattenburch family and Rembrandt
|
2006 |
Roscam Abbing, Michiel |
| Deistic classicism in Arnold Houbraken's Life of Rembrandt
|
2006 |
Horn, Hendrik J. |
| Rembrandt's sakerdaan press and the identification of sakerdaan-wood
|
2006 |
Roscam Abbing, Michiel |
| "The waters are come in unto my soul" (Psalm LXIX.2 David) : Rembrandt's "A woman bathing in a stream" in London's National Gallery
|
2006 |
Colenbrander, Herman Th. |
| Rembrandt re-attributions : between fact and wishful thinking
|
2006 |
Straten, Roelof van |
| A new attribution proposed for an enigmatic painting : "The return of Tobias and the angel" by Pieter Verelst
|
2006 |
Meijer, Fred G. |
| Lievens's reading : some observations on his "Mucius Scaevola before Porsenna"
|
2006 |
Golahny, Amy |
| The earliest extant judgement on Rembrandt : Schrevelius and Buchelius, with an aside on Scriverius
|
2006 |
Tuynman, Pierre |
| Inscriptions and the reception of Rembrandt's etchings
|
2006 |
Dickey, Stephanie |
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