| 'A record and memorial of his talents for posterity' : Anthony van Dyck's sketch of the Garter procession
|
2005 |
Brown, Christopher |
| The portrait of Theodorus Schrevelius
|
2005 |
Bijl, Martin |
| In the beginning there was red
|
2005 |
Groen, Karin M. |
| The contours in the paintings of the Oranjezaal, Huis ten Bosch
|
2005 |
Eikema Hommes, Margriet van |
| Bibliography of Ernst van de Wetering
|
2005 |
|
| Crossing the wall of history : Etienne Delécluze on the art and morality of Jacques-Louis David
|
2005 |
Haveman, Mariëtte |
| Goltzius, painting and flesh : or, why Goltzius began to paint in 1600
|
2005 |
Sluijter, Eric Jan |
| Aelbert Cuyp's innovative use of spatial devices
|
2005 |
Tummers, Anna |
| 'Das Werk erdacht und circuliert' : the position of architects at the court of king Ferdinand I of Bohemia and his son, archduke Ferdinand II of Austria
|
2005 |
Simons, Madelon |
| Gerard de Lairesse and Jacob de Wit in situ
|
2005 |
Liedtke, Walter |
| Colour symbolism in seventeenth-century Dutch painting
|
2005 |
Wheelock, Arthur K. |
| Rembrandt and rhetoric : the concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His Master
|
2005 |
Weststeijn, Thijs |
| Rembrandt's drawing The Raising of the Cross in the Museum of Fine Arts, Boston
|
2005 |
Haverkamp-Begemann, Egbert |
| 'Pour mon honneur et pour vostre contentement' : Nicolas Poussin, Paul Fréart de Chantelou and the making and collecting copies
|
2005 |
Franken, Michiel |
| 'The painter he findes at his easill at worke'
|
2005 |
Os, Henk van |
| Biography of Ernst van de Wetering
|
2005 |
Weststeijn, Thijs |
| The use of wood in Rembrandt's workshop : wood identification and dendrochronological analyses
|
2005 |
Klein, Peter |
| The learned eye
|
2005 |
Weststeijn, Thijs |
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