| Munch's critical reception in the 1890s and his "place" in history
|
2005 |
Clarke, Jay A. |
| Courbet and the modern landscape
|
2005 |
Morton, Mary G. |
| Hans Auer and the morality of architectural space
|
2005 |
Berry, James Duncan |
| The spectacle at the fair : situationism and consumer society
|
2005 |
Eskilson, Stephen |
| Jean-Auguste-Dominique Ingres : the politics of friendship
|
2005 |
Condon, Patricia |
| Suffering in silence : disease and disability in Manet's early portraiture
|
2005 |
Strauber, Susan E. W. |
| Painterly music : on Baudelaire's vision of Wagner
|
2005 |
Bloom, Michelle E. |
| Modernism at home : the private "Gesamtkunstwerk"
|
2005 |
Anger, Jenny |
| Monet as metaphor : studies in rapture and reflected light
|
2005 |
Brennan, Marcia |
| "Realistic Pictorialism" : the photographs of Warner Taylor
|
2005 |
Danly, Susan |
| The unshaken tree : Walter W. S. Cook on "Kunstwissenschaft" in 1924
|
2005 |
Brush, Kathryn |
| Intended by Nature for a musician : Thomas Gainsborough, musicians, and the musical analogy for painting in England in the 1770s and '80s
|
2005 |
Brenneman, David A. |
| The art of making spectacles : a short history of the development of painting from Matisse and Pollock to Manet
|
2005 |
Carrier, David |
| Being Andy : performative identity in Deborah Kass's "Warhol Project"
|
2005 |
Plante, Michael |
| Zen, Jung and Radical Chic at Mid-Century
|
2005 |
Johnson, Deborah |
| The "India Bonita" contest : gender, tradition and modernity in Mexico City, 1921
|
2005 |
Zavala, Adriana |
| Corot's Daumiers
|
2005 |
Ogawa, David |
| Glacken's beach scenes and pleasure
|
2005 |
Seiberling, Grace |
| The spiritual made visible : Ruth Lynda Deyo's abstract pastels and her grand Egyptian opera
|
2005 |
Murray, Ann H. |
| A constant discussion : the public work of Howard Ben Tré
|
2005 |
Onorato, Ronald J. |
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