The advantages of abstract art monoliths and erratic boulders as monuments and (public) sculptures

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Bibliographische Detailangaben
Veröffentlicht in:	Figuration, abstraction / Henry Moore Institute. Ed. by Charlotte Benton
1. Verfasser:	Fuhrmeister, Christian (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2004
Schlagworte:	Geschichte 1900-2000 > Steinplastik > Steinschneidekunst > Denkmal
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Titel	Jahr	Verfasser
Continuity : Max Bill's public sculpture and the representation of money	2004	Ursprung, Philip
Soviet war memorials in Eastern Europe, 1945 - 74	2004	Fowkes, Reuben
Figuration and abstraction in Berlin in the 1960s : two modi in East-West art and art politics	2004	Dolff-Bonekämper, Gabriele
The advantages of abstract art : monoliths and erratic boulders as monuments and (public) sculptures	2004	Fuhrmeister, Christian
Invisible topographies and deafening silences : looking for the Memorial to the victims of the deportation in Paris	2004	Hornstein, Shelley
Modernity and tradition : public sculpture by Gerhard Marcks, 1949 - 67	2004	Koep, Daniel
National division as a formal problem in West German public sculpture : memorials to German unity in Münster and Berlin	2004	Janzing, Godehard
Oskar Hansen, Henry Moore and the Auschwitz Memorial debates in Poland, 1958 - 59	2004	Murawska-Muthesius, Katarzyna
The return to nature : Finnish monumental sculpture in the 1950s and 1960s	2004	Lindgren, Liisa
Czechoslovak public sculpture and its context : from 1945 to the "Realizations" exhibition, 1961	2004	Klimešová, Marie
Public sculpture in Poland in the 1960s : context and practice	2004	Kotkowska-Bareja, Hanna
The metamorphosis of liberty : the monument to Hungarian liberation	2004	Boros, Géza

The advantages of abstract art monoliths and erratic boulders as monuments and (public) sculptures