| Michelangelo and Greek sculpture
|
2003 |
Howard, Seymour |
| Pirro Ligorio and the rediscovery of antiquity
|
2003 |
Palma Venetucci, Beatrice |
| Between art and archaeology : Johannes Wiedewelt in Rome (1754 - 1758)
|
2003 |
Nielsen, Marjatta |
| Wiedewelt, Winckelmann and antiquity
|
2003 |
Fejfer, Jane |
| Mantua, Mantegna and Rome : the "grotte" of Isabella d'Este reconsidered
|
2003 |
Cohen, Beth |
| Polish artists and the emergence of archaeology in eighteenth century Rome
|
2003 |
Mikocki, Tomasz |
| On Danish painters collecting antiquities for the Royal Academy in Copenhagen
|
2003 |
Ragn Jensen, Hannemarie |
| Julianehøj and the memoral grove at Jægerspris : an introduction to the interpretation of Julianehøj and the nordic monuments to worthy Danes
|
2003 |
Kryger, Karin |
| "Iudicium et ordo" : Antonio Canova and antiquity
|
2003 |
Micheli, Maria Elisa |
| The artist's contribution to the rediscovery of the Caesar iconography
|
2003 |
Pieper, Susanne |
| "An ornament of the mind" : C. J. C. Reuvens and his ideas about the benefits of archaeology to art and society in the Netherlands
|
2003 |
Halbertsma, Ruurd |
| Copy, topos, paraphrase : the reception of antiquity by nineteenth century Danish artists
|
2003 |
Munk, Jens Peter |
| Laurent Guiard : memory of the antique
|
2003 |
Raspi Serra, Joselita |
| "Providence send us a lord" : Joseph Nollekens and Bartolomeo Cavaceppi at Shugborough
|
2003 |
Coltman, Viccy |
| Caravaggio and the role of classical models
|
2003 |
Macioce, Stefania |
| Antiquities and art theory in the collections of Vicente Victoria
|
2003 |
Lyons, Claire L. |
| Between Scylla and Charybdis : concerning the artist's perception of antiquity
|
2003 |
Straede, Morten |
| Orfeo Boselli and the interpretation of the antique
|
2003 |
Picozzi, Maria Grazia |
| How to choose ancient models : the example of Johan Tobias Sergel (1740 - 1802)
|
2003 |
Leander Touati, Anne-Marie |
| The importance of Etruscan antiquity in the Tuscan Renaissance
|
2003 |
Bartoloni, Gilda |
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