A misunderstood iconography Girolamo Genga's altarpiece for S. Agostino in Cesena
Gespeichert in:
| Veröffentlicht in: | Drawing relationships in northern Italian Renaissance art / ed. by Giancarla Periti. With an introd. by Charles Dempsey |
|---|---|
| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
2004
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| Enigmatic beauty : Correggio's Camera di San Paolo | 2004 | Periti, Giancarla |
| A misunderstood iconography : Girolamo Genga's altarpiece for S. Agostino in Cesena | 2004 | Galizzi Kroegel, Alessandra |
| The "studiolo" of Alberto Pio da Carpi | 2004 | Sarchi, Alessandra |
| Reconsidering Parmigianino's Camerino for Paola Gonzaga at Fontanellato | 2004 | Vaccaro, Mary |
| Amico's friends : Aspertini and the Confraternita del Buon Gesù in Bologna | 2004 | Faietti, Marzia |
| Emilian Seicento art literature and the transition from fifteenth- to sixteenth-century art | 2004 | Perini Folesani, Giovanna |
| The tomb of the Ancestors in the Tempio Malatestiano and the Temple of Fame in the poetry of Basinio da Parma | 2004 | Kokole, Stanko |
| Pordenone's "Passion" frescoes in Cremona cathedral : an incitement to piety | 2004 | Smyth, Carolyn |