| Afterword : Classicism and cultural dissonance
|
1995 |
Belsey, Catherine |
| English Protestantism and classical art
|
1995 |
Thomas, Keith |
| "Glancing surfaces : Hilliard, armour, and the Italian model
|
1995 |
Kury, Gloria |
| Towards reading Albion's classicism : an exchange of gifts between northern classical scholars
|
1995 |
Jardine, Lisa |
| Scotland's "Thrie Estates"
|
1995 |
Howard, Deborah |
| Classicism and civic architecture in Renaissance England
|
1995 |
Howard, Maurice |
| Emblem and reckless presence : the Drury portrait at Yale
|
1995 |
Chirelstein, Ellen |
| Constructing an identity in prose, plaster, and paint : Lady Anne Clifford as writer and patron of the arts
|
1995 |
Bubner, Rüdiger |
| Alexander Seton's painted gallery
|
1995 |
Bath, Michael |
| Introduction
|
1995 |
Gent, Lucy |
| The loggia in Tudor and early Stuart England : the adaption and function of classical form
|
1995 |
Henderson, Paula |
| "Plinie is a weyghtye witnesse" : the classical reference in post-Reformation funeral monuments
|
1995 |
Llewellyn, Nigel |
| Gods, saints, and reformers : portraiture and Protestant England
|
1995 |
Aston, Margaret |
| Learning to read architecture in the English Renaissance
|
1995 |
Anderson, Christy |
| Sixteenth-century English portraiture and the idea of the classical
|
1995 |
Foister, Susan |
| "The Rash Gazer" : economies of vision in Britain, 1550 - 1660
|
1995 |
Gent, Lucy |
| Lying among the classics : ritual and motif in elite Elizabethan and Jacobean beds
|
1995 |
Roberts, Sasha |
| Shakespeare's Richard II : the sign in Bullingbrook's window
|
1995 |
Greene, Thomas McLernon |
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