˜Theœ muddied mirror materiality and figuration in Titian's later paintings

"Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by publisher.

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Bibliographische Detailangaben
1. Verfasser: Cranston, Jodi (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: University Park, Pa. Pennsylvania State Univ. Press 2010
Schlagworte:
Online Zugang:Inhaltsverzeichnis
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