The muddied mirror materiality and figuration in Titian's later paintings
"Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by publisher.
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
University Park, Pa.
Pennsylvania State Univ. Press
2010
|
Schlagworte: | |
Online Zugang: | Inhaltsverzeichnis |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | "Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by publisher. |
---|---|
Beschreibung: | "Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by publisher. Includes bibliographical references and index |
Beschreibung: | XI, 147 S. zahlr. Ill. |
ISBN: | 9780271035291 978-0-271-03529-1 |