Academics, pompiers, official artists and the Arrière-garde defining modern and traditional in France, 1900 - 1960
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Newcastle
Cambridge Scholars
2009
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| Ausgabe: | 1. publ. |
| Schlagworte: |
Geschichte 1900-2000
> Geschichte 1900-1960
> Art, French / 20th century
> Avant-garde (Aesthetics) / France / History / 20th century
> Geschichte
> Art, French
> Avant-garde (Aesthetics)
> History
> Kunst
> Moderne
> Traditionalismus
> France / Intellectual life / 20th century
> Frankreich
> France
> Intellectual life
> Aufsatzsammlung
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| Émile Bernard's reactionary idealism | 2009 | McWilliam, Neil |
| One friday at the French artists' salon : pompiers and official artists at the 'coup de cubisme' | 2009 | Brauer, Fae |
| 'The serpent eats its tail' : avant-garde and arrière-garde in Paris 1943 - 1953 | 2009 | Adamson, Natalie |
| Sculpture's alternative modernities : the public Maillol, the private Rodin | 2009 | Curtis, Penelope |
| After Locarno : German painters in the parisian 'picture factory' | 2009 | Holz, Keith |
| Foreign artists and the École de Paris : critical and institutional ambivalence between the wars | 2009 | Kangaslathi, Kate |
| Classicism, neither right nor left : the 'combat' group and the cultural politics of French fascism during the 1930s | 2009 | Antliff, Mark |
| Between the lines : the 'juste milieu' in interwar France | 2009 | Norris, Toby |