Neo-Baroque aesthetics and contemporary entertainment
"The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment she sit...
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| 1. Verfasser: | |
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Cambridge, Mass. u.a.
MIT Press
2004
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| Schriftenreihe: | Media in transition
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| Schlagworte: |
Amusement
> Art médiatique
> Arts du spectacle
> Barok
> Baroque
> Cinéma
> Cinéma - Effets spéciaux
> Civilisation baroque
> Effets spéciaux
> Esthetica
> Esthétique
> Jeu vidéo
> Jeux vidéo
> Médias
> Médias - Innovations
> Film
> Massenmedien
> Ästhetik
> Cinematography
> Special effects
> Civilization, Baroque
> Mass media
> Technological innovations
> Motion pictures
> Video games
> Neue Medien
> Spezialeffekt
> Filmästhetik
> Kunst
> USA
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | "The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment she situates today's film, computer games, comic books, and theme park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media."--BOOK JACKET. |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 322 S. Ill. |
| ISBN: | 0262140845 0-262-14084-5 |