| Vision and cognition
|
1998 |
Pomian, Krzysztof |
| How to be iconophilic in art, science, and religion?
|
1998 |
Latour, Bruno |
| Deanimations : maps and portraits of life itself
|
1998 |
Haraway, Donna |
| Nature by design
|
1998 |
Daston, Lorraine |
| Style as inclusion, style as exclusion
|
1998 |
Ginzburg, Carlo |
| Judgment against objectivity
|
1998 |
Galison, Peter |
| Eclectic subjectivity and the impossibility of female beauty
|
1998 |
Goldstein, Jan |
| The studio, the laboratory, and the vexations of art
|
1998 |
Alpers, Svetlana |
| Iconography between the history of art and the history of science : art, science, and the case of the urban bee
|
1998 |
Freedberg, David |
| Style, type, standard : the procuction of technological resemblance
|
1998 |
Slaton, Amy |
| Hieronymus Bosch's world picture
|
1998 |
Koerner, Joseph Leo |
| On astronomical drawing
|
1998 |
Schaffer, Simon |
| The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure
|
1998 |
Jones, Caroline A. |
| Impressed images : reproducing wonders
|
1998 |
Park, Katharine |
| Lost knowledge, bodies of ignorance and the poverty of taxonomy as illustrated by the curious fate of flos pavonis : an abortifacient
|
1998 |
Schiebinger, Londa |
| Visualization and visibility
|
1998 |
Snyder, Joel |
| Attention and modernity in the nineteenth century
|
1998 |
Crary, Jonathan |
| The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history
|
1998 |
Winter, Irene J. |
| Miracles of bodily transformation, or, how St. Francis received the stigmata
|
1998 |
Davidson, Arnold |
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