The dumb show image and society in the works of William Hogarth
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Oxford
Voltaire Foundation
1997
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| Schriftenreihe: | Studies on Voltaire and the eighteenth century
357 |
| Schlagworte: |
Hogarth, William <1697-1764>
> Hogarth, William <1697-1764> - Pensée politique et sociale
> Criticism and interpretation
> Political and social views
> Hogarth, William
> Geschichte 1700-1800
> Geschichte 1720-1764
> Schilderijen
> Sociale situatie
> Alltag, Brauchtum
> Malerei
> English wit and humor, Pictorial
> Gesellschaftsleben
> Motiv
> Gesellschaft
> England
> Social life and customs
> Aufsatzsammlung
> Konferenzschrift
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Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| "The most contemptible meanness that lines can be formed into"? : Hogarth and the "other" arts | 1997 | Georgel, Pierre |
| The artist at work : a (de)constructive view of Hogarth's Beer Street | 1997 | Wagner, Peter |
| Oblique perspective as ironical point of view in Hogarth's engraved series | 1997 | Martinet, Marie-Madeleine |
| Hogarth the empiricist | 1997 | Baridon, Michel |
| The nature of satire in the "modern moral subjects" | 1997 | Bindman, David |
| "And Universal Darkness buries All" : Hogarth and excess | 1997 | Ogée, Frédéric |
| Capital art : Hogarth's London | 1997 | Porter, Roy |
| Aesthetics and empiricism : the ideological context of Hogarth's series of pictures | 1997 | Ogée, Frédéric |
| Hagarty, not Hogarth? : the true defender of English "wit and humour" | 1997 | Krysmanski, Bernd |
| Artists and artistes in Hogarth's work | 1997 | Carré, Jacques |
| The discourse on crime in Hogarth's graphic works | 1997 | Wagner, Peter |