Constructivism in film the man with the movie camera ; a cinematic analysis
Gespeichert in:
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Cambridge u.a.
Cambridge Univ. Press
1987
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| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge studies in film
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| Schlagworte: | |
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Tag hinzufügen | Beschreibung: | 1. Dziga Vertov and the Soviet avant-garde movement -- The kinoks -- The contructivist tradition -- "Art of fact" -- Struggles with NEP -- Vertov and Mayakovsky -- Futurist and formalist expression -- Educating the masses -- The Vertov-Eisenstein Controversy -- Vertov's difficult years -- The demise of the Soviet avant-garde -- II. Thematic meaning of The Man with the Movie Camera -- Experiment in cinematic communication -- Segmentation of the film's structure -- A "difficult" movie -- Reactions to the camera -- Self-referential associations -- Ideological implications -- Negation of narrative -- Disruptive-associative montage -- Social and political commentary -- The nature of the film image -- Cinematic illusion -- Point of view -- III. Formal structure of The Man with the Movie Camera -- A mathematics of facts -- Shot composition and visual design -- Phi-effect and kinesthesia -- Intervals of movement -- Subliminal propulsion -- Oneiric impact of intervals -- Optical music -- Movement versus stasis -- Structural recapitulation -- Ideology of graphic patterns -- A cornerstone of world vienma Filmografie S. 213 - 220 |
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| Beschreibung: | XII, 325 S. zahlr. Ill., graph. Darst. |
| ISBN: | 9780521321747 978-0-521-32174-7 0521321743 0-521-32174-3 |