˜Theœ totality of form : S. J. Freedberg's criticism and Clement Greenberg's history

von Rosenberg, Eric M.
Veröffentlicht in Making art history / ed. by Elizabeth C. Mansfield (2007)

[Rezension von:] Bedell, Rebecca: The anatomy of nature : geology and American landscape painting, 1825 - 1875. - Princeton : Princeton Univ. Press, 2002 // Berger, Martin A.: Man...

von Rosenberg, Eric M.
Veröffentlicht in ˜Theœ art bulletin / ed. John Shapley [u.a.] (2003)

Size matters

von Rosenberg, Eric M.
Veröffentlicht in Art history (2003)

America's thing

von Rosenberg, Eric M.
Veröffentlicht in Art history (2004)

J. Frank Currier, Munich and the anxious state of American art, ca. 1880

von Rosenberg, Eric M.
Veröffentlicht in American artists in Munich / ed. by Christian Fuhrmeister, Hubertus Kohle and Veerle Thielemans (2009)

˜Response:œ Romancing the modern : Nemerov, Wyeth, and the limits of American art history

von Rosenberg, Eric M.
Veröffentlicht in ˜Theœ art bulletin / ed. John Shapley [u.a.] (2006)

˜"...œ one of the most powerful, horrible, and yet fascinating pictures ..." : Thomas Eakins's The Gross Clinic as history painting

von Rosenberg, Eric M.
Veröffentlicht in Redefining American history painting / Patricia M. Burnham ; Lucretia Hoover Giese (1995)

˜Aœ preponderance of practical problems : discourse instituionalized and the history of art in the United States between 1876 and 1888

von Rosenberg, Eric M.
Veröffentlicht in Art history and its institutions / ed. by Elizabeth Mansfield (2002)

[Rezension von:] Fried, Michael <Kunsthistoriker>: Realism, writing, disfiguration on Thomas Eakins and Stephen Crane. - Chicago, 1987

von Rosenberg, Eric M.
Veröffentlicht in ˜Theœ Burlington magazine / ed. Benedict Nicolson (1987)

Meaning the modern

von Rosenberg, Eric M.
Veröffentlicht in Art history (2000)

Walker Evan's depression and the trauma of photography

von Rosenberg, Eric M.
Veröffentlicht in Trauma and visuality in modernity / ed. and with an introd. by Lisa Saltzman and Eric Rosenberg (2006)

˜Theœ impossibility of painting : the satiric inevitability of John Singleton Copley's "Boy with a squirrel"

von Rosenberg, Eric M.
Veröffentlicht in Seeing satire in the eighteenth century / ed. by Elizabeth C. Mansfield and Kelly Malone (2013)

Friedel Dzubas : critical painting

Veröffentlicht 1998

Trauma and documentary photography of the FSA

von Blair, Sara
Veröffentlicht 2012

Trauma and documentary photography of the FSA

von Blair, Sara
Veröffentlicht 2012