From page to print : the transformation of the "wild woman" in early modern Northern engravings

von Moseley-Christian, Michelle
Veröffentlicht in Word & image (2011)

Hybridity, media, and source material in visual representations of the wild woman : transitions from hand-copied manuscripts to hand-press prints

von Moseley-Christian, Michelle
Veröffentlicht in Hybridity in early modern art / edited by Ashley Elston and Madeline Rislow (2022)

Embodying gluttony as women's wildness : Rembrandt's "Naked woman seated on a mound", c. 1629-1631

von Moseley-Christian, Michelle
Veröffentlicht in Gender, otherness, and culture in medieval and early modern art / Carlee A. Bradbury, Michelle Moseley-Christian, editors (2017)

Consuming excess : pronk poppenhuisen and the dollhouses of Sara Rothé

von Moseley-Christian, Michelle
Veröffentlicht in ˜Theœ uses of excess in visual and material culture / ed. by Julia Skelly (2014)

Genre-portraits and market value : Emanuel de Witte's Portrait of Adriana van Heusden and Her Daughter at the New Amsterdam Fishmarket, 1661 - 63

von Moseley-Christian, Michelle
Veröffentlicht in Athanor / Florida State University, Department of Art History (2007)

Strategies of Ambiguity in Rembrandt's Naked Woman Seated on a Mound, c. 1631

von Moseley-Christian, Michelle
Veröffentlicht in Rebus (2009)

Marketing Mary Magdalene in early modern Northern European prints and paintings

von Moseley-Christian, Michelle
Veröffentlicht in Mary Magdalene / ed. by Michelle A. Erhardt and Amy M. Morris (2012)

Confluence of Costume, Cartography and Early Modern European Chorography

von Moseley-Christian, Michelle
Veröffentlicht in Journal of art historiography (2013)

Gender, otherness, and culture in medieval and early modern art

Veröffentlicht 2017

Gender, otherness, and culture in medieval and Early Modern art

Veröffentlicht 2017