Signs for labour-value in printed pictures after the photomechanical revolution : mainstream changes and extreme cases around 1900

von Gretton, Tom
Veröffentlicht in ˜Theœ Oxford art journal (2005)

Calaveras and commodity fetishism : the unhallowed supernatural in the work of José Guadalupe Posada

von Gretton, Tom
Veröffentlicht in Renew Marxist art history (2013)

Industrialised graphic technologies in symbiosis with the world of art : the "Illustrated London News" and the "Graphic" c. 1870-c. 1890

von Gretton, Tom
Veröffentlicht in Art versus industry? / edited by Kate Nichols, Rebecca Wade and Gabriel Williams (2016)

David's 'Portrait of Zénaïde and Charlotte Bonaparte' : overt and covert Napoleonic subjects in the summer of 1821

von Gretton, Tom
Veröffentlicht in David after David / Sterling and Francine Clark Art Institute, Williamstown, Mass. Ed. by Mark Ledbury (2007)

Difference and competition : the imitation and reproduction of fine art in a nineteenth-century illustrated weekly news magazine

von Gretton, Tom
Veröffentlicht in ˜Theœ Oxford art journal (2000)

Quamoscas at work : upstairs, downstairs at the Hayward Gallery

von Gretton, Tom
Veröffentlicht in ˜Theœ Oxford art journal (1989)

[Rezension von:] Bourdieu, Pierre: Distinction : a social critique of the judgement of taste. - London, 1985

von Gretton, Tom
Veröffentlicht in ˜Theœ Oxford art journal (1985)

Adventures in black and white

von Gretton, Tom
Veröffentlicht in ˜Theœ Oxford art journal (2003)

Murders and moralities : english catchpenny prints 1800-1860

von Gretton, Tom
Veröffentlicht 1980

˜"Un moyen puissant de vulgarisation artistique" : reproducing salon pictures in Parisian illustrated weekly magazines c. 1860-c. 1895 : from wood engraving to the half tone scre...

von Gretton, Tom
Veröffentlicht in ˜Theœ Oxford art journal (2016)

"Art is cheaper and goes lower in France" : the language of the Parliamentary Select Committee on the Arts and Principles of Design of 1835-1836

von Gretton, Tom
Veröffentlicht in Art in bourgeois society, 1790 - 1850 / ed. by Andrew Hemingway & William Vaughan (1998)

[Rezension von:] Beegan, Gerry: The mass image : a social history of photomechanical reproduction in Victorian London. - 1. publ. - Basingstoke : Palgrave Macmillan, 2008

von Gretton, Tom
Veröffentlicht in History of photography (2010)

Différence et compétition : l' imitation et la reproductiom des oeuvres d'art dans un journal illustré du XIXe siècle

von Gretton, Tom
Veröffentlicht in Majeur ou mineur? / sous la direction de Georges Roque (2000)

Clastic icons : prints taken from broken or reassembled blocks in some 'popular prints' of the Western tradition

von Gretton, Tom
Veröffentlicht in Iconoclasm / ed. by Stacy Boldrick and Richard Clay (2007)

Posada and the "popular" : commodities and social constructs in Mexico before the revolution

von Gretton, Tom
Veröffentlicht in From Posada to Isotype, from Kollwitz to Catlett / curated and edited by Benjamin H.D. Buchloh, Michelle N. Harewood (2022)

Reproduction and facsimile : adventures in the commodity forms of printed photographs

von Gretton, Tom
Veröffentlicht in History of photography (2008)

[Rezension von:] Doy, Gen: Women and visual culture in nineteenth-century France : 1800 - 1852. - London and New York : Leicester Universiy Press, 1998

von Gretton, Tom
Veröffentlicht in Art history (1999)

Posada and the "popular" : commodities and social constructs in Mexico before the revolution

von Gretton, Tom
Veröffentlicht in ˜Theœ Oxford art journal (1994)

Calaveras and commodity fetishism : the unhallowed supernatural in the work of José Guadalupe Posada

von Gretton, Tom
Veröffentlicht in Re/new marxist art history / ed. by Warren Carter, Barnaby Haran, Frederic J. Schwartz (2013)

Helen Weston "in three positions"

von Scott, Katie
Veröffentlicht in ˜Theœ Oxford art journal (2016)