Illusionism and interactivity : medieval installation art, architecture and devotional response

von Gelfand, Laura D.
Veröffentlicht in 2. Physical and spatial interaction in late medieval and renaissance art / [contributors: Mickey Abel ..] (2011)

Regional styles and political ambitions : Margaret of Austria's monastic foundation at Brou

von Gelfand, Laura D.
Veröffentlicht in Cultural exchange between the Low Countries and Italy / ed. by Ingrid Alexander-Skipnes (2007)

Class, gender, and the influence of penitential literature in Bosch's depictions of sin

von Gelfand, Laura D.
Veröffentlicht in Jheronimus Bosch / Jheronimus Bosch Art Center, 's-Hertogenbosch, the Netherlands. [Executive ed.: Jo Timmermans] (2010)

˜Theœ devotional portrait diptych and the manuscript tradition

von Gelfand, Laura D.
Veröffentlicht in Essays in context / Harvard University Art Museums, Cambridge. Ed. by John Oliver Hand and Ron Spronk (2006)

Virtues and/or sibyls : ambiguity and the identity of the sculpted female figures on the tomb of Philibert le Beau in Brou

von Gelfand, Laura D.
Veröffentlicht in Iconographica (2008)

Fifteenth-century Netherlandish devotional portrait diptyches : origins and function

von Gelfand, Laura D.
Veröffentlicht 1994

Reading the architecture in Jan van Eyck's "Rolin Madonna"

von Gelfand, Laura D.
Veröffentlicht in In detail / Dixon, Laurinda S. (Hrsg.) (1998)

Negotiating harmonious divisions of power : a new reading of the tympanum of the Sainte-Anne portal of the Cathedral Notre-Dame de Paris

von Gelfand, Laura D.
Veröffentlicht in Gazette des beaux-arts / fondée par Charles Blanc (2002)

Margaret of Austria and the encoding of power in patronage : the funerary foundation at Brou

von Gelfand, Laura D.
Veröffentlicht in Widowhood and visual culture in early modern Europe / ed. by Allison Levy (2003)

Girolamo Savoldo in the Cleveland Museum of Art : a question of mistaken identities

von Gelfand, Laura D.
Veröffentlicht in Apollo (1995)

Piety, nobility and posterity : wealth and the ruin of Nicolas Rolin's reputation

von Gelfand, Laura D.
Veröffentlicht in Journal of Historians of Netherlandish Art (2009)

Our dogs, our selves : dogs in Medieval and early modern art, literature, and society

Veröffentlicht 2016

Mimesis and rivalry: representing stone in 15th-century paintings

von Gelfand, Laura D.
Veröffentlicht in Paintings on stone / Saint Louis Art Museum ; edited by Judith W. Mann ; with contributing authors: Mario Casaburo, Elena Cenalmor Bruquetas, John Encarnación, Laura D. Gelfand, Nadia Groeneveld-Baadj, Andrea M. Miller, Ivo Purš, Joan M. Reifsnyder, Hana Seifertová, Joaneath Spicer (2020)

Sinn und Simulacra : die Manipulation der Sinne in mittelalterlichen "Kopien" Jerusalems

von Gelfand, Laura D.
Veröffentlicht in Orte der Imagination – Räume des Affekts / Elke Koch, Heike Schlie (Hg.) (2016)

Imaginative and emotional interaction in late medieval and renaissance art

Veröffentlicht 2011

Physical and spatial interaction in late medieval and Renaissance art

Veröffentlicht 2011

Push me, pull you

v. 1. Imaginative and emotional interaction in late medieval and Renaissance art
Erschienen: 1 - 2

Surrogate selves : the 'Rolin Madonna' and the late-medieval devotional portrait

von Gelfand, Laura D.
Veröffentlicht in Simiolus (2002)

Push me, pull you

Veröffentlicht 2011

Push me, pull you

Veröffentlicht 2011